2017 Cameron Robbins Remote Alignments - MARS Art Gallery Melbourne

Cameron Robbins | Remote Alignments

21 October – 18 November 2017

1 - 5 January 2014, Two Hot Northerlies (MONA Wind Section Instrumental Series), 2014<br /> pigment ink on paper, 90 x 300 cm

8 - 18 November 2013, SE Birdheads 10 Days (MONA Wind Section Instrumental Series), 2014<br/> pigment ink on paper, 75 x 499 cm

Crux (Anemograph Series), 2015 <br/> giclee photograph, 100 x 160 cm

Fog Fire (Anemograph Series), 2015 <br/> giclee photograph, 100 x 160 cm

(Globular Orbits), 20 - 21 September 2012, SW, Sparse Rain, 19 hrs (Flinders Street Station Series), 2012<br/>pigment and water-soluble ink on paper, 58.5 x 81 cm

21 - 22 September, 2012, SW - N, Showers 27 hrs (Flinders Street Station Series), 2012<br/>pigment and water-soluble ink on paper, 58.5 x 81 cm

Mt Jim Anomaly Map 2 CLEAN

mt jim anomaly star map CLEAN

Magnetometers. 2016 <br/> silicon, bronze, optical glass, tunsten, chromoly, neodymium magnets, wood, dimensions variable

Sternenachse Declinator, 2016 <br/> Jarrah, aluminium, carbon fibre, motor, PU cord, brass, stainless steel, steel

Dissipative Structures, 2012 <br/>Single-channel video work, sound, duration 19 minutes, 31 seconds, edition of 5

Hobart 42.88 - 47.12 deg (Sternenachse Series), 2016<br/>Acrylic paint and graphite on board, 60 x 70 cm

Mawson station 67.5 - 22.5 deg (Sternenachse Series), 2016<br/>Acrylic paint and graphite on board, 70 x 60 cm

Dimond Pulsar (Dissipative Structures Series), 2012, photograph mounted on dibond, dimensions variable

Final Approach (Dissipative Structures Series), 2012 <br/>photograph mounted on dibond, dimensions variable

Red Vortex (Dissipative Structures Series), 2012<br/>photograph mounted on dibond, dimensions variable

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