Georgia Boseley
Boseley’s practice and research are grounded in resistance. She critiques the ongoing structures of colonial occupation and refuses institutional legibility, the colonial gaze, and the demand to translate herself for settler consumption. Her work engages with colonial paternalism, intergenerational trauma, and the importance of relational being and connection, documenting the complexity and resistance of living as a First Nations person today.
Boseley creates contemporary sculptural works using traditional weaving practices, alongside large-scale paintings and ceramic sculptures. Her practice often moves across disciplines and materials, embracing mixed media as a third place, a space of experimentation.
Her works are held in private collections across the country and in the permanent collection of the National Gallery of Victoria.